Lenfilm Holmes theme
Sep. 4th, 2020 08:20 pmHere’s an excerpt from an interview with Vladimir Dashkevich, the composer who wrote the theme for the Soviet Sherlock Holmes:
“The screenplay was excellent. A story of friendship between two completely different people was wonderfully written, and it enthralled me. But it was still a very long way to music. I thought it would take quite a lot of time to shoot the film and then they would show it to me. I was in Moscow and suddenly Igor Maslennikov calls me from Leningrad, saying, “You know, I've listened to a BBC cultural programme theme and I think we need something like this for our Sherlock Holmes project.” It was a Saturday morning, when Igor wasn't busy with his film directing duties, and the programme had been broadcasted on Friday evening. A week passed, and of course I forgot to listen to that programme, and the next Saturday he called me again. I say, “I forgot to listen.” He says, “Please make sure you will.” Another week passed. I forgot again, and he called me again. I could hear that he was already getting annoyed. I promised to listen the next time and forgot again. And Maslennikov told me every time, “This is Britain, the Empire, with a gentlemanly spirit and irony, and power, and optimism, and nobility.” Every time he was saying this to me. Finally, when I forgot again and he called again, I became desperate, brought my phone to the piano, and played him the first thing which came to mind. This became the Sherlock Holmes theme Igor Maslennikov was talking about. As a wise man he told me, “Vladimir, don't leave it hanging in the air, take a pencil and jot it down at once because you'll forget.” Well, I have no memory problems, but anyway, but I wrote it down because the director is the boss and you should do what he says. I was happy that I didn't have to listen to that BBC theme anymore, so I still don't know what it is like.”
I tried to find that BBC theme, and the one which starts at 1:06 seems to fit Maslennikov’s description:
“The screenplay was excellent. A story of friendship between two completely different people was wonderfully written, and it enthralled me. But it was still a very long way to music. I thought it would take quite a lot of time to shoot the film and then they would show it to me. I was in Moscow and suddenly Igor Maslennikov calls me from Leningrad, saying, “You know, I've listened to a BBC cultural programme theme and I think we need something like this for our Sherlock Holmes project.” It was a Saturday morning, when Igor wasn't busy with his film directing duties, and the programme had been broadcasted on Friday evening. A week passed, and of course I forgot to listen to that programme, and the next Saturday he called me again. I say, “I forgot to listen.” He says, “Please make sure you will.” Another week passed. I forgot again, and he called me again. I could hear that he was already getting annoyed. I promised to listen the next time and forgot again. And Maslennikov told me every time, “This is Britain, the Empire, with a gentlemanly spirit and irony, and power, and optimism, and nobility.” Every time he was saying this to me. Finally, when I forgot again and he called again, I became desperate, brought my phone to the piano, and played him the first thing which came to mind. This became the Sherlock Holmes theme Igor Maslennikov was talking about. As a wise man he told me, “Vladimir, don't leave it hanging in the air, take a pencil and jot it down at once because you'll forget.” Well, I have no memory problems, but anyway, but I wrote it down because the director is the boss and you should do what he says. I was happy that I didn't have to listen to that BBC theme anymore, so I still don't know what it is like.”
I tried to find that BBC theme, and the one which starts at 1:06 seems to fit Maslennikov’s description:
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Date: 2020-09-04 05:21 pm (UTC)no subject
Date: 2020-09-04 05:25 pm (UTC)no subject
Date: 2020-09-04 05:52 pm (UTC)Loved the link to the BBC World service, great glimpse into the past.
Thanks for sharing.🙂
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Date: 2020-09-04 06:32 pm (UTC)Perhaps I’ve already told you that it was difficult for me at first to get into Granada and accept Jeremy’s Holmes after growing up watching Lenfilm. They are so different!
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Date: 2020-09-04 07:46 pm (UTC)Poles would have ferns in their house or garden, but I have yet to see ferns or an overabundance of greenery in position as houseplants in Britain (not impossible I suppose, but nothing I've observed in friends' houses or television though I am probablythe wrong person to declare that with finality ha).
Yes, I recall you saying how difficult it was for you to get into Jeremy's Holmes initially. I can well understand. Both Livanov & Jeremy's Holmes are superb, but different. :)
Granada's authenticity is beautiful! I love them both like you, and I am so happy I stumbled upon the Lenfilm adaptation. Livanov and Jeremy's Holmes are delights to watch. Granada as you say, offers the real English man, while for me the Lenfilm grants something I can relate to in the glass tea cup or other play-pretend; same as Whitehead though to a lesser extent (and solely with the background elements).
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Date: 2020-09-05 04:36 am (UTC)